Indeed, political cartoons remain a on of the forms of journalism that forces political figures and events into comparatively short and laconically depressing symbolic, satirical and other culturally rich visual forms telling stories, spreading satire. In the fast expanding digital news world in the country, the English language electronic newspapers and their cartoons seem to travel the worlder,b more frequently and with less restraint, and even the tradition of visual argument plays critical role in influencing public opinion. In the current research, a focused argument will be built on the representation of sociopolitical values notably that political messages, and yet a different approah will be applied in researching the English political cartoons in e-newspapersin India by applying a thematic synthesis analysis and adoptingqualitative semiotic framework. A certain number of e-newspapers and cartoons from this media that were published during the campaigns were reviewed in terms of their denotative and connotative meanings in order to identify consistent symbols, satirical devices and patterns more concerned with certain political figures, entities and the relations between the state, political figures and the citizens. Most of the cartoons contain messages on governance and leadrshp, using much written language in comics that include institutions, national elements, structures, animals and persons which reveal their goals. Satire is expressed mainly through incongruity and distortion, which allows the cartoon to criticize what isplugged by the politicians as opposed to what is. Also, the research also finds an imbalance in representation: where single leaders are turned into cartoons and juudgeed by moral criteria, while institutions are not characterized through single cartoons but in general and in the end — they depict how clearly the problem and the liability are represented. Lastly, the establishments of modern political cartoons/teksts/contexts (here or not) maximise the level of symbolic aggression and free dependence on printed texts, consequently increasing both effectiveness of persuasion and complexity of comprehension when seeing the cartoons that have already left their original limits in self-presentation. This research provides insight into the use of visual symbols in communication and media semiotics through the case of cartoons as objects through which meaning and power struggles are carried out in a controversy over who holds power and the concept of a free society